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"As usual there was a lot of waiting around and the guy in front of Steve threw in the towel saying, 'it's only going to be some crappy B side anyway so I'm off'.

During an interview with DJ Danny Sun, Gregory said he was the 9th sax player to attempt the riff. Gregory said Michael's secretary had phoned him up midday and asked him to give the solo a try.[32][better source needed]

So I went out with her for a couple of months but I didn't stop seeing Helen. I thought I was being smart – I had gone from being a total loser to being a two-timer.

"When I was twelve, thirteen, I used to have to chaperone my sister, who was two years older, to an ice rink at Queensway in London. There was a girl there with long blond hair whose name was Jane.

After Wexler booked the top saxophone player from Los Angeles to do the famous solo: "He arrived at eleven and should have been gone by twelve," said Wham! manager Simon Napier-Bell. "Instead, after two hours, he was still there while everyone in the studio shuddered with embarrassment.

He said in 1991 that it "was not an integral part of my emotional development...it disappoints me that you can write a lyric very flippantly—and not a particularly good lyric—and it can mean so much to so many people. That's disillusioning for a writer."

That same day we signed it all away. But you can never really know what you are capable of, you can never really have that foresight."[22]

Michael observed that after he stopped wearing glasses, he began getting invited to parties. "And the girl who didn't even see me when I was twelve invited me in," he noted.

The song was written before Wham even had a name, way back in '81. George took over the writing by the time the band were recording, so everything after that tends to only have his name attached to it.

"Once the tape was put back to the normal speed, a 'unnatural' saxophone sound was created that sounded a bit like an Alto in the Paul Desmond vibe, but lacking a bit more depth and darkness to the sound.

Jazz musician Dan Forshaw later revealed that saxophonist Steve Gregory had got a call to re-record the song's sax solo, and he was the 11th saxophone player to record the solo as George wanted to get the sound he hoped for.

I was a fat boy in glasses and I had a big crush on her—though I didn't stand a chance. My sister used to go and do what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane."[15]

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"Session musicians do not have much idea what they are going to be recording until they arrive, and this was the case for Steve and another saxophonist who was ahead of him in the (queue)," Forshaw said.

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